π IELTS β Reading: Matching Headings
Tutorial β’ Passage + Questions β’ Answer Key β’ Vocabulary β’ Phrases & Expressions β’ Vocabulary & Expression Quiz
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πΆ Part 1 β Tutorial & Strategy
How to Master Matching Headings: An Exam-Ready Guide
Goal: Match each paragraph with the heading that captures its main idea. Focus on the function of the paragraph, not on single words that look familiar.
Step 1 β Preview the Headings
Glance through the headings before reading. This builds a βmapβ of possible themes: description, contrast, influence, criticism, or solution. Note which ones are broad (e.g., βA revolutionary design philosophyβ) and which are narrow (e.g., βGlass as a symbol of opennessβ). Group similar ones together to avoid confusion later. Remind yourself that repeating vocabulary is a trap; the exam tests your ability to recognise the gist, not word-matching.
Step 2 β Skim for Gist
Read each paragraph quickly. Focus on the topic sentence and the conclusion line, which usually reveal the main idea. Ask: βIs this paragraph describing, explaining, or contrasting?β Write a short gist in 5β7 words (e.g., βHouse blends into natureβ). Do not get stuck on technical termsβcontext is enough. Keep moving to save time.
Step 3 β Match by Function
Every heading signals a type of paragraph: description, cause, effect, contrast, or evaluation. Match the function. If the paragraph praises or criticises, choose an evaluative heading. If it compares, look for words like βhoweverβ or βwhile.β If it describes a process, expect headings with sequence terms. Matching by function keeps you safe from word traps.
Step 4 β Eliminate and Confirm
Shortlist two headings per paragraph. Test each against the concluding line. Does one heading include the final emphasis better? Eliminate the weaker choice. Cross off used headings to reduce distraction. If unsure, move on and return laterβcontext from other paragraphs often clarifies the fit.
Step 5 β Watch for Traps
Common traps include: 1) Word-match illusion: repeated words mislead. 2) Example magnet: details hide the main point. 3) Background decoy: opening history vs. concluding idea. 4) Scope mismatch: heading too broad/narrow. 5) Synonym shuffle: βharmony with environmentβ = βintegration with nature.β Always match the overall message.
Step 6 β Final Checks
Re-read your choices. Make sure each heading fits the whole paragraph, not just part of it. Confirm that two very specific headings are not assigned to different paragraphs. Answer all questionsβeven guesses are better than blanks. Matching Headings rewards strategy and speed more than perfection.
Example Box 1 β Main Idea vs. Detail
Gist: βWrightβs Fallingwater shows harmony with nature.β
Correct heading: βIntegration with landscape.β
Why: The house is an example; the main idea is harmony.
Example Box 2 β Contrast
Gist: βWhile Europeans favoured glass boxes, Wright preferred organic forms.β
Correct heading: βA different vision from European modernism.β
Example Box 3 β Criticism
Gist: βLater designs criticised for lacking human scale.β
Correct heading: βCriticism of scale and comfort.β
Universal Answer Template
- βFor Paragraph [__], I choose Heading [__] because the paragraphβs function is [type].β
- βThe topic sentence presents [subject].β
- βSignals such as [however/as a result] show [contrast/cause].β
- βExamples like [Fallingwater] support, not replace, the main point.β
- βThe conclusion stresses [emphasis], matching the heading.β
- βThus Heading [__] best captures Paragraph [__].β
Quick Warm-Up
Mini-paragraph: βAlthough Wright valued modern technology, he insisted design must reflect nature.β
Choose: A) βTechnology as driverβ β’ B) βHarmony with natureβ β’ C) βEuropean influence.β
Answer: Function = philosophy; emphasis = nature; Heading B fits.
π· Part 2 β Reading Passage + Questions
[IELTS Academic] [Reading: Matching Headings] β Task
Instructions: Match the headings (iβxii) to the paragraphs (AβH). Write the correct Roman numeral next to each paragraph. There are more headings than paragraphs. Focus on the main idea of each paragraph.
β³ Countdown Timer
List of Headings
- A philosophy of harmony with the natural world
- The Prairie Style and its break with tradition
- Fallingwater as the ultimate expression of organic design
- Wrightβs influence on later modernist architects
- The role of glass and light in creating openness
- Cultural and critical responses to Wrightβs later works
- The concept of the βUsonianβ house for ordinary Americans
- The importance of Japan and travel in shaping Wrightβs style
- A legacy of innovation beyond residential design
- Accusations of impracticality and extravagance
- Blending technology with craftsmanship
- Monumental public buildings as symbols of identity
There are more headings than paragraphs. Use each heading once at most.
Reading Passage β The Architecture of Frank Lloyd Wright
Paragraph A β Frank Lloyd Wrightβs architectural philosophy was anchored in the belief that buildings should grow naturally out of their environment. He rejected the idea of imposing foreign forms onto the land, insisting instead that design should harmonise with the contours, materials, and spirit of a site. Wright often described his work as βorganic architecture,β a phrase that captured both his aesthetic and moral approach. This philosophy stressed unity between structure and setting, where a house, for example, would not dominate its surroundings but appear as though it had always belonged there.
Paragraph B β The Prairie Style, which Wright pioneered in the early 20th century, marked a radical departure from conventional Victorian forms. Low, horizontal lines, broad overhanging roofs, and open interiors replaced the verticality and ornament of previous traditions. These features reflected the vast, flat landscapes of the American Midwest, offering a new architectural language rooted in regional identity. The Prairie houses expressed spaciousness and freedom, aligning with broader social aspirations of the period for simplicity and modern living.
Paragraph C β Wrightβs philosophy found its most dramatic embodiment in Fallingwater, a house built partly over a waterfall in Pennsylvania. Completed in the 1930s, the structure appears to grow out of the rock itself, its cantilevered terraces extending boldly over the rushing water. Fallingwater has often been celebrated as the epitome of organic design, where architecture and nature intertwine so completely that neither can be imagined without the other. The buildingβs daring composition, praised worldwide, solidified Wrightβs reputation as an innovator of extraordinary vision.
Paragraph D β Beyond his celebrated residences, Wright applied his ideas to a wide range of public and commercial projects. The Johnson Wax Headquarters, with its forest of mushroom-shaped columns, and the Guggenheim Museum in New York, with its spiralling ramp, demonstrate his ability to extend organic principles into large-scale, monumental forms. These works pushed architecture into new territory, influencing generations of designers who sought to break free from the rigid geometry of classical models.
Paragraph E β Wrightβs enthusiasm for Japanese art and architecture also left a profound imprint on his style. His travels to Japan exposed him to concepts of asymmetry, spatial fluidity, and the delicate use of natural materials. He admired how Japanese buildings embraced gardens and courtyards as integral elements of design, and he incorporated these insights into his own projects. The Imperial Hotel in Tokyo, which survived the Great Kanto earthquake of 1923, was a striking testament to his synthesis of Western innovation and Eastern tradition.
Paragraph F β While many hailed his genius, Wrightβs career was not free from criticism. Some accused his designs of being impractical, costly, or self-indulgent, especially in later works that seemed monumental in scale. Detractors argued that his visions, while inspiring, often ignored everyday functional concerns such as maintenance, affordability, and community needs. Yet even his critics acknowledged that his daring experiments expanded the possibilities of architecture as an art form.
Paragraph G β In response to such critiques, Wright promoted his concept of the βUsonianβ house: affordable, functional homes for middle-class Americans. These modest dwellings incorporated open plans, natural lighting, and efficient use of space, aiming to democratise architectural beauty. The Usonian houses reflected his belief that good design should not be reserved for the wealthy but should uplift the lives of ordinary families, aligning with broader ideals of American democracy.
Paragraph H β Wrightβs legacy extends far beyond his lifetime. His blending of natural forms, new technologies, and artistic vision influenced later modernists, from Mies van der Rohe to contemporary eco-architects. His buildings remain iconic not only for their innovation but also for the debates they continue to spark about the role of architecture in society. Whether admired as masterpieces or questioned for their feasibility, Wrightβs works embody a restless spirit of experimentation that continues to inspire architects worldwide.
Answer Sheet
Your Selections
π£ Part 3 β Answer Key
Model Answer β Matching Headings
Below is one defensible set of matches. Use it together with the justification boxes to learn how each choice follows the strategy in Part 1.
Answer Key (AβH)
- A β i (Drivers of magma formation beneath the crust)
- B β ii (How dissolved gases control the violence of eruptions)
- C β iv (Why water matters at subduction zones)
- D β vi (The sequence from magma ascent to ash fallout)
- E β vii (Close-range hazards and how they harm communities)
- F β ix (The far-reaching effects of fine ash on technology)
- G β viii (When volcanic debris mixes with water)
- H β x (Volcanoes and temporary shifts in global climate)
Unused headings: iii, v, xi, xii, xiii, xiv, xv.
Tip: Read the βGlobal Reasoningβ box first, then scan each paragraphβs justification using the template from Part 1.
Why This Answer Set Is Strong β Global Reasoning (15β30 sentences)
The chosen headings prioritise function and emphasis rather than single word matches, which is the core Matching Headings strategy. Across the passage, each paragraph has a distinct rhetorical job: A provides upstream drivers, B explains a mechanism for explosivity, C narrows that mechanism to a special tectonic context, D sequences events, E lists proximal hazards, F expands to distal technological effects, G reframes a post-eruption hazard governed by landscape, and H evaluates climate-scale outcomes. This map shows a purposeful flow from causes to processes to effects at multiple scales; a good heading set mirrors that flow without duplicating scopes. Potential trapsβsuch as focusing on the spectacle of lava (iii) or on general contrasts across settings (v)βare rejected when the paragraphβs emphasis points elsewhere (e.g., E centres on near-field harm rather than spectacle; A already integrates multiple settings under βdrivers,β making v too narrow and duplicative). Headings about monitoring (xii) or evacuation uncertainty (xiv) remain unused because no paragraph foregrounds decision-making or forecast ambiguity; any references to timing or anticipation in D support a sequence function, not a risk-governance function. Similarly, βbalancing benefits and costsβ (xi) is excluded because although F nods to disruption and E to impacts, neither paragraph weighs benefits; H discusses climate impacts only as temporary forcing, not as a balanced evaluation. The mapping also respects scope integrity: D covers stages, so using vi fits perfectly, while applying vi to E or F would misrepresent their evaluative focus. For cohesion, each selected heading explains both the topic and the concluding emphasis; for example, H ends with climate linkage, aligning with heading x. Finally, unused headings remain plausible distractors that share vocabulary with the text but not its core functionsβexactly the kind of IELTS decoys that the function-first method neutralises. In short, the selections align with topic sentences, pivot signals, concluding emphasis, and paragraph scope, satisfying every checkpoint in the universal template from Part 1.
Paragraph-by-Paragraph Justifications (Template Applied)
A β i β Drivers of magma formation beneath the crust
Identification: Paragraph A surveys the sources of magma generation (divergence, plumes, subduction) and the role of volatilesβthis is a causes/drivers overview.
Topic Focus: The opening frames plate motions and mantle processes as the basis for volcanism, not a single setting.
Signal Words: βWhereβ¦,β βElsewhereβ¦,β βYetβ¦β signal a catalogue of contexts unified by a common mechanism.
Evidence Role: Settings (ridges, plumes, arcs) are examples supporting the driver theme (decompression, heat, volatiles).
Emphasis Check: The close stresses βunderlying driversβ¦ pressure release, heat transfer, addition of volatiles.β
Final Justification: Heading i captures the paragraphβs global cause map better than v (contrast) or xii (monitoring).
B β ii β How dissolved gases control the violence of eruptions
Identification: Paragraph B explains a mechanism: viscosity and trapped gases leading to fragmentation.
Topic Focus: Silica-rich, viscous magma traps gas; gas exsolution triggers explosive behaviour.
Signal Words: βIn contrastβ distinguishes quiet degassing from explosive shattering.
Evidence Role: Lava fountains and flows appear as outcomes of fluid magmas, not as the main idea.
Emphasis Check: The sentence βit is the dissolved gas itselfβ¦ that loads the springβ foregrounds gases.
Final Justification: Heading ii matches function (causeβeffect mechanism) and emphasis (gas control).
C β iv β Why water matters at subduction zones
Identification: Paragraph C isolates water as the key subduction ingredient lowering melting points.
Topic Focus: Fluid release from the slab into the mantle wedge β sticky, gas-rich magmas.
Signal Words: βBecause,β βAs,β βThusβ articulate the causal chain from slab to explosivity.
Trap Avoidance: Not heading v (contrasting settings), because the focus is why water changes behaviour.
Final Justification: Heading iv names both the factor (water) and the context (subduction) precisely.
D β vi β The sequence from magma ascent to ash fallout
Identification: Paragraph D is explicitly chronological, listing eruption stages.
Topic Focus: From ascent β degassing β column β fallout β possible column collapse β waning.
Signal Words: βMay form,β βfollowed by,β βeventuallyβ mark a temporal chain.
Scope Match: A process heading fits; hazard- or evaluation-based headings would be partial.
Final Justification: Heading vi is the only one naming a phase sequence from start to fallout.
E β vii β Close-range hazards and how they harm communities
Identification: Paragraph E inventories proximal threats: pyroclastic surges, blocks, lava, heat, ash loading, gases.
Topic Focus: The emphasis is on near-field impacts and the need for exclusion zones and speed.
Trap Avoidance: Not iii (misleading lava spectacle), because the paragraph goes beyond lava to a comprehensive near-field risk set.
Emphasis Check: βMinutes matterβ underlines harm and urgency to communities.
Final Justification: Heading vii best captures scope and emphasis.
F β ix β The far-reaching effects of fine ash on technology
Identification: Paragraph F shows distal impacts: aviation, electronics, power systems, supply chains.
Topic Focus: Tiny particles cause large-scale disruption; technology is the main victim.
Trap Avoidance: Not x (climate), because the focus is infrastructure/operations, not radiative forcing.
Emphasis Check: Airports closing and grids flickering anchor the headingβs βfar-reachingβ idea.
Final Justification: Heading ix names the agent (fine ash) and its domain (technology).
G β viii β When volcanic debris mixes with water
Identification: Paragraph G defines laharsβdebris + waterβemphasising valley-confined slurries.
Topic Focus: Post-eruption timing and landscape controls (slopes, ash thickness, channels).
Signal Words: βWhen,β βBecause,β βremain at riskβ stress conditions and consequences.
Scope Match: A precise process (debris + water) rather than general hazards or climate.
Final Justification: Heading viii is an exact descriptor of the mechanism.
H β x β Volcanoes and temporary shifts in global climate
Identification: Paragraph H explains stratospheric sulfur β aerosols β surface cooling.
Topic Focus: Planetary-scale yet temporary radiative impacts with ecological/economic knock-ons.
Evidence Role: Mentions of tree rings and records support the broader climate signal.
Trap Avoidance: Not xi (balancing benefits/costs); the paragraph does not weigh positives vs negatives.
Final Justification: Heading x aligns with both mechanism and timescale qualifier (βtemporaryβ).
Template-in-Action (Condensed Lines)
Paragraph A β i: function: causes map; topic: ridge/plume/subduction drivers; signals: where/elsewhere/yet; reject: v.
Paragraph B β ii: function: mechanism; topic: viscosity & gases; signals: in contrast; reject: iii.
Paragraph C β iv: function: causeβeffect with water; topic: slab fluids & sticky magmas; reject: v.
Paragraph D β vi: function: sequence; topic: ascentβcolumnβfallout; signals: followed by/eventually.
Paragraph E β vii: function: near-field hazard set; topic: surges/blocks/lava/gases; reject: iii.
Paragraph F β ix: function: distal tech impacts; topic: aviation/electronics/grids; reject: x.
Paragraph G β viii: function: definition & conditions; topic: lahars & landscape; signals: when/because.
Paragraph H β x: function: climate forcing; topic: stratospheric aerosols; signals: temporary yet consequential.
π’ Part 4 β Vocabulary
[IELTS Academic] [Reading: Matching Headings] β Vocabulary (Frank Lloyd Wright)
Each item gives: word β’ BrE/AmE IPA β’ part(s) of speech & pattern β’ definition β’ example + gloss β’ synonyms β’ common mistakes. Entries are concise to fit the frame on desktop and mobile.
Quick action: Copy all vocabulary items for offline study.
Organic architecture /ΙΛΛΙ‘Γ¦n.Ιͺk ΛΙΛ.kΙͺ.tΙk.tΚΙ/ β’ /ΙΛrΛΙ‘Γ¦n.Ιͺk ΛΙΛr.kΙ.tek.tΚΙ/
n. (concept) β’ pattern: organic architecture + of/that + [aim]
Def: Design that integrates a building with its site, materials, and surroundings.
Ex: βFallingwater exemplifies organic architecture.β (Means: the house and nature act as one.)
Syn: nature-integrated design. Mistakes: β βorganicalβ; β using it for βeco onlyβ.
Prairie Style /ΛpreΙri staΙͺl/ β’ /ΛprΙri staΙͺl/
n. (movement) β’ pattern: the Prairie Style + features
Def: Wrightβs early horizontal, low-roofed domestic style reflecting Midwestern landscapes.
Ex: βPrairie Style homes favour open plans.β (Meaning: interior flows rather than small rooms.)
Syn: horizontal domestic modernism. Mistakes: β βprairies styleβ.
Cantilever /ΛkΓ¦n.tΙͺΛliΛ.vΙ/ β’ /ΛkΓ¦n.tΜ¬ΙͺΛliΛ.vΙ/
n./v. β’ pattern: cantilevered + balcony/terrace
Def: A projecting structure fixed at one end and free at the other.
Ex: βTerraces cantilever over the falls.β (Meaning: they project without posts beneath.)
Syn: overhang. Mistakes: β βcantaleverβ.
Horizontality /hΙΛrΙͺ.zΙnΛtΓ¦l.Ιͺ.ti/ β’ /hΙΛrΙͺ.zΙΛnΛtΓ¦l.Ι.tΜ¬i/
n. β’ pattern: emphasis on horizontality
Def: Design focus on long, low lines parallel to the ground.
Ex: βWright insisted on horizontality in faΓ§ades.β (Meaning: lines echo the landscape.)
Syn: lateral emphasis. Mistakes: β spelling βhorizontaltyβ.
Overhang /ΛΙΚ.vΙ.hΓ¦Ε/ β’ /ΛoΚ.vΙ.hΓ¦Ε/
n./v. β’ pattern: deep roof overhangs
Def: A roof/element that extends beyond the wall below.
Ex: βOverhangs shade interiors.β (Meaning: they reduce glare/heat.)
Syn: eaves. Mistakes: β βover handβ.
Spatial fluidity /ΛspeΙͺ.ΚΙl ΛfluΛ.Ιͺ.dΙͺ.ti/ β’ /ΛspeΙͺ.ΚΙl ΛfluΛ.Ι.dΙ.tΜ¬i/
n. β’ pattern: spatial fluidity between rooms
Def: Seamless movement and visual continuity through spaces.
Ex: βSliding screens create spatial fluidity.β (Meaning: spaces link rather than divide.)
Syn: flow; openness. Mistakes: β βfluencyβ for spaces.
Transparency /trΓ¦nΛspΓ¦r.Ιn.si/ β’ /trΓ¦nΛspΓ¦r.Ιn.si/
n. β’ pattern: transparency through glass
Def: Visual openness allowing sight lines through/into space.
Ex: βRibbon windows increase transparency.β (Meaning: clearer views/light.)
Syn: visual openness. Mistakes: β confusing with βpolicy transparencyβ.
Human scale /ΛhjuΛ.mΙn skeΙͺl/ β’ /ΛhjuΛ.mΙn skeΙͺl/
n. β’ pattern: attention to human scale
Def: Proportions comfortable and relatable to the human body.
Ex: βLow ceilings preserve human scale.β (Meaning: spaces feel intimate, not vast.)
Syn: humane proportion. Mistakes: β using as βpopulation scaleβ.
Monumentality /ΛmΙn.juΛ.menΛtΓ¦l.Ιͺ.ti/ β’ /ΛmΙΛn.jΙ.menΛtΓ¦l.Ι.tΜ¬i/
n. β’ pattern: sense of monumentality
Def: Formal grandeur or impressive mass/scale.
Ex: βThe museumβs monumentality dominates the street.β (Meaning: it feels iconic/huge.)
Syn: grandeur. Mistakes: β equating with βmonuments onlyβ.
Vernacular /vΙΛnΓ¦k.jΚ.lΙ/ β’ /vΙΛnΓ¦k.jΙ.lΙ/
adj./n. β’ pattern: vernacular materials/forms
Def: Local, traditional building styles/materials.
Ex: βWright reinterprets vernacular stone.β (Meaning: local stone informs the design.)
Syn: regional, native. Mistakes: β βvernaculeβ.
Usonian /juΛΛsΙΚ.ni.Ιn/ β’ /juΛΛsoΚ.ni.Ιn/
adj./n. β’ pattern: Usonian house/dwelling
Def: Wrightβs affordable, modest American house model.
Ex: βUsonian plans maximise utility.β (Meaning: small, smart layouts.)
Syn: democratic domestic design. Mistakes: β βEurasianβ.
Site-specific /ΛsaΙͺt spΙΛsΙͺf.Ιͺk/ β’ /ΛsaΙͺt spΙΛsΙͺf.Ιͺk/
adj. β’ pattern: site-specific response
Def: Designed uniquely for its locationβs conditions.
Ex: βA site-specific plan follows the terrain.β (Meaning: layout fits the land.)
Syn: context-driven. Mistakes: β confusing βsiteβ with βsightβ.
Material palette /mΙΛtΙͺΙ.ri.Ιl ΛpΓ¦l.et/ β’ /mΙΛtΙͺr.i.Ιl ΛpΓ¦l.Ιt/
n. β’ pattern: a palette of [stone/wood/glass]
Def: The selected set of materials used in a design.
Ex: βA warm material palette grounds the house.β (Meaning: wood/stone feel natural.)
Syn: material set. Mistakes: β spelling βpalateβ.
Asymmetry /ΛeΙͺΛsΙͺm.Ιͺ.tri/ β’ /ΛeΙͺΛsΙͺm.Ι.tri/
n. β’ pattern: deliberate asymmetry
Def: Balanced design without mirror equality.
Ex: βAsymmetry frames garden views.β (Meaning: off-center forms guide sight.)
Syn: non-symmetry. Mistakes: β pronunciation βa-sym-MET-ryβ.
Craftsmanship /ΛkrΙΛft.smΙn.ΚΙͺp/ β’ /ΛkrΓ¦ft.smΙn.ΚΙͺp/
n. β’ pattern: fine craftsmanship in joinery
Def: Skilled manual/artisanal quality in making.
Ex: βCraftsmanship elevates simple forms.β (Meaning: details make quality visible.)
Syn: workmanship. Mistakes: β βcraftman-shipβ.
Structural innovation /ΛstrΚk.tΚΙr.Ιl ΛΙͺn.ΙΛveΙͺ.ΚΙn/ β’ /ΛstrΚk.tΚΙ.Ιl ΛΙͺn.ΙΛveΙͺ.ΚΙn/
n. β’ pattern: structural innovation through cantilevers
Def: New load-bearing ideas or systems.
Ex: βCantilevers show structural innovation.β (Meaning: new engineering enables form.)
Syn: engineering advance. Mistakes: β using only for tech gadgets.
Critique /krΙͺΛtiΛk/ β’ /krΙͺΛtiΛk/
n./v. β’ pattern: critique of [cost/scale]
Def: Careful evaluation pointing out strengths/weaknesses.
Ex: βCritiques target impracticality.β (Meaning: some argue function suffers.)
Syn: evaluation. Mistakes: β βcriticβ as a verb.
Affordability /ΙΛfΙΛ.dΙΛbΙͺl.Ιͺ.ti/ β’ /ΙΛfΙΛr.dΙΛbΙͺl.Ι.tΜ¬i/
n. β’ pattern: affordability for middle-class families
Def: Being reasonably priced relative to income.
Ex: βUsonian ideals prioritise affordability.β (Meaning: design for ordinary budgets.)
Syn: cost-accessibility. Mistakes: β βaffordable-nessβ.
Legacy /ΛleΙ‘.Ι.si/ β’ /ΛlΙΙ‘.Ι.si/
n. β’ pattern: legacy of influence
Def: Lasting impact on later practitioners/ideas.
Ex: βWrightβs legacy shaped modernists.β (Meaning: later architects adopt his ideas.)
Syn: lasting influence. Mistakes: β using only for money/property.
Integration /ΛΙͺn.tΙͺΛΙ‘reΙͺ.ΚΙn/ β’ /ΛΙͺn.tΜ¬ΙΛΙ‘reΙͺ.ΚΙn/
n. β’ pattern: integration of building and landscape
Def: Combining parts into a unified whole.
Ex: βIntegration makes the house belong to the site.β (Meaning: not imposed; it fits.)
Syn: synthesis, cohesion. Mistakes: β βintegrityβ for βintegrationβ.
Transparency (ethical vs. visual) /trΓ¦nΛspΓ¦r.Ιn.si/ β’ /trΓ¦nΛspΓ¦r.Ιn.si/
n. β’ pattern: visual transparency via glazing
Def: Here: visual clarity with glass; not honesty in governance.
Ex: βGlazing increases visual transparency.β (Meaning: more light and sight lines.)
Syn: see-through quality. Mistakes: β mixing the two meanings in essays.
π Part 5 β Phrases & Expressions
[IELTS Academic] [Reading: Matching Headings] β Phrases & Expressions (Frank Lloyd Wright)
Each entry includes: expression β’ BrE/AmE IPA β’ part(s) of speech & pattern β’ definition β’ example + gloss β’ synonyms β’ common mistakes. Concise for perfect frame-fit on desktop and mobile.
Quick action: Copy all expressions for offline study.
blend into the landscape /blΙnd ΛΙͺntuΛ Γ°Ι ΛlΓ¦nd.skeΙͺp/ β’ /blΙnd ΛΙͺntu Γ°Ι ΛlΓ¦nd.skeΙͺp/
v. phrase β’ pattern: blend into + the/its landscape
Def: Appear naturally part of the surrounding terrain.
Ex: βLow roofs help the house blend into the landscape.β (Meaning: it doesnβt visually dominate.)
Syn: merge with; harmonise with. Mistakes: β βblend toβ; use βintoβ.
break with tradition /breΙͺk wΙͺΓ° trΙΛdΙͺΚ.Ιn/ β’ /breΙͺk wΙͺΓ° trΙΛdΙͺΚ.Ιn/
v. phrase β’ pattern: break with + tradition/convention
Def: Deliberately depart from established styles.
Ex: βThe Prairie Style breaks with tradition through horizontality.β (Meaning: rejects old norms.)
Syn: depart from. Mistakes: β βbreak from traditionβ (use βwithβ for set phrase).
form follows function /fΙΛm ΛfΙlΙΚz ΛfΚΕkΚΙn/ β’ /fΙΛrm ΛfΙΛloΚz ΛfΚΕkΚΙn/
clause (maxim) β’ pattern: belief/principle that + form follows function
Def: Shape of a building should be determined by its use.
Ex: βOpen plans show that form follows function.β (Meaning: layout suits living needs.)
Syn: function-driven design. Mistakes: β reversing to βfunction follows formβ.
sense of place /sΙns Ιv pleΙͺs/ β’ /sΙns Ιv pleΙͺs/
n. phrase β’ pattern: a strong/clear sense of place
Def: Character that ties a building to its location.
Ex: βLocal stone gives the home a sense of place.β (Meaning: rooted in context.)
Syn: locality identity. Mistakes: β βsense for placeβ.
open-plan living /ΛΙΚ.pΙn ΛplΓ¦n ΛlΙͺv.ΙͺΕ/ β’ /ΛoΚ.pΙn ΛplΓ¦n ΛlΙͺv.ΙͺΕ/
n. phrase β’ pattern: open-plan + kitchen/living area
Def: Few internal walls; flowing spaces.
Ex: βOpen-plan living increases social interaction.β (Meaning: rooms connect.)
Syn: open layout. Mistakes: β hyphen omission when attributive.
bring the outside in /brΙͺΕ Γ°i ΛaΚt.saΙͺd Ιͺn/ β’ /brΙͺΕ Γ°i ΛaΚt.saΙͺd Ιͺn/
v. phrase β’ pattern: bring the outside in with + glazing/courtyards
Def: Create continuity between interior and nature.
Ex: βLarge windows bring the outside in.β (Meaning: stronger indoor-outdoor link.)
Syn: blur interiorβexterior. Mistakes: β βbring outside to inβ.
in dialogue with nature /Ιͺn ΛdaΙͺ.Ι.lΙΙ‘ wΙͺΓ° ΛneΙͺ.tΚΙ/ β’ /Ιͺn ΛdaΙͺ.Ι.lΙΛΙ‘ wΙͺΓ° ΛneΙͺ.tΚΙ/
prep. phrase β’ pattern: be in dialogue with + nature/context
Def: Design responds to and converses with the environment.
Ex: βTimber faΓ§ades are in dialogue with nature.β (Meaning: materials echo setting.)
Syn: converse with; respond to. Mistakes: β βin dialogβ (spelling in BrE).
human-centred design /ΛhjuΛ.mΙn ΛsΙn.tΙd dΙͺΛzaΙͺn/ β’ /ΛhjuΛ.mΙn ΛsΙn.tΙd dΙͺΛzaΙͺn/
n. phrase β’ pattern: human-centred + approach/space
Def: Prioritising comfort, scale, and user needs.
Ex: βSeat heights show human-centred design.β (Meaning: sized for people.)
Syn: user-focused. Mistakes: β missing hyphen when attributive.
site-driven design /saΙͺt ΛdrΙͺv.Ιn dΙͺΛzaΙͺn/ β’ /saΙͺt ΛdrΙͺv.Ιn dΙͺΛzaΙͺn/
n. phrase β’ pattern: site-driven + solution/layout
Def: Decisions shaped by the locationβs constraints and qualities.
Ex: βTopography led to site-driven design.β (Meaning: terrain informed choices.)
Syn: context-led. Mistakes: β βsight-drivenβ.
material honesty /mΙΛtΙͺΙ.ri.Ιl ΛΙn.Ιͺs.ti/ β’ /mΙΛtΙͺr.i.Ιl ΛΙΛ.nΙͺs.ti/
n. phrase β’ pattern: material honesty in + structure/finish
Def: Using materials truthfully, not disguising what they are.
Ex: βExposed stone shows material honesty.β (Meaning: not covered or faked.)
Syn: truthful materiality. Mistakes: β βhonesty of materialsβ (ok but less idiomatic here).
play of light and shadow /pleΙͺ Ιv laΙͺt Ιn ΛΚΓ¦d.ΙΚ/ β’ /pleΙͺ Ιv laΙͺt Ιn ΛΚΓ¦d.oΚ/
n. phrase β’ pattern: the play of light and shadow on + surface/interior
Def: Visual effects created by illumination and shade.
Ex: βScreens enhance the play of light and shadow.β (Meaning: dynamic lighting.)
Syn: chiaroscuro (arch. sense). Mistakes: β βlights and shadowsβ (plural not needed).
to cantilever over /tΙ ΛkΓ¦n.tΙͺΛliΛ.vΙ ΛΙΚ.vΙ/ β’ /tΙ ΛkΓ¦n.tΜ¬ΙͺΛliΛ.vΙ ΛoΚ.vΙ/
v. phrase β’ pattern: cantilever over + water/void
Def: Project outward with a fixed support at one end.
Ex: βTerraces cantilever over the falls.β (Meaning: extend unsupported.)
Syn: overhang. Mistakes: β βcantilever onβ.
ribbon windows /ΛrΙͺb.Ιn ΛwΙͺn.dΙΚz/ β’ /ΛrΙͺb.Ιn ΛwΙͺn.doΚz/
n. phrase β’ pattern: use/install ribbon windows
Def: Long horizontal bands of glazing.
Ex: βRibbon windows increase transparency.β (Meaning: wider light/views.)
Syn: strip windows. Mistakes: β βribbons windowsβ.
organic unity /ΙΛΛΙ‘Γ¦n.Ιͺk ΛjuΛ.nΙͺ.ti/ β’ /ΙΛrΛΙ‘Γ¦n.Ιͺk ΛjuΛ.nΙ.tΜ¬i/
n. phrase β’ pattern: achieve organic unity between + parts
Def: All elements relate naturally as a whole.
Ex: βPlan, structure, and site aim for organic unity.β (Meaning: cohesive system.)
Syn: integral wholeness. Mistakes: β using βorganicβ to mean βeco onlyβ.
structural daring /ΛstrΚk.tΚΙr.Ιl ΛdeΙ.rΙͺΕ/ β’ /ΛstrΚk.tΚΙ.Ιl ΛdΙr.ΙͺΕ/
n. phrase β’ pattern: structural daring in + spans/cantilevers
Def: Bold engineering moves that test limits.
Ex: βCantilevers display structural daring.β (Meaning: brave engineering.)
Syn: engineering audacity. Mistakes: β βstructure daringβ.
economy of means /ΙͺΛkΙn.Ι.mi Ιv miΛnz/ β’ /ΙͺΛkΙΛ.nΙ.mi Ιv miΛnz/
n. phrase β’ pattern: achieve economy of means with + simple details
Def: Doing more with fewer resources.
Ex: βStandard modules show economy of means.β (Meaning: efficient use of parts.)
Syn: efficiency; parsimony (formal). Mistakes: β βeconomic of meansβ.
democratise design /dΙͺΛmΙk.rΙ.taΙͺz dΙͺΛzaΙͺn/ β’ /dΙͺΛmΙΛ.krΙ.taΙͺz dΙͺΛzaΙͺn/
v. phrase β’ pattern: democratise + housing/design
Def: Make good design accessible to ordinary people.
Ex: βUsonian homes sought to democratise design.β (Meaning: affordability + quality.)
Syn: broaden access. Mistakes: β βdemocratize the people designβ.
spatial continuity /ΛspeΙͺ.ΚΙl ΛkΙn.tΙͺΛnjuΛ.Ιͺ.ti/ β’ /ΛspeΙͺ.ΚΙl ΛkΙΛn.tΙͺΛnuΛ.Ι.tΜ¬i/
n. phrase β’ pattern: spatial continuity between + rooms/inside-outside
Def: Unbroken flow across adjoining spaces.
Ex: βCourtyards enhance spatial continuity.β (Meaning: spaces link visually/physically.)
Syn: spatial flow. Mistakes: β βcontinuationβ for this concept.
push the boundaries /pΚΚ Γ°Ι ΛbaΚn.d(Ι)r.iz/ β’ /pΚΚ Γ°Ι ΛbaΚn.d(Ι)r.iz/
v. phrase β’ pattern: push the boundaries of + design/structure
Def: Extend the limits of what is typical or safe.
Ex: βThe museum pushes the boundaries of form.β (Meaning: highly innovative.)
Syn: break new ground. Mistakes: β βpush the limits of boundaryβ.
a departure from /Ι dΙͺΛpΙΛ.tΚΙ frΙm/ β’ /Ι dΙͺΛpΙΛr.tΚΙ frΚm/
n. phrase β’ pattern: a departure from + tradition/ornament
Def: A noticeable change away from previous practice.
Ex: βFlat roofs were a departure from Victorian norms.β (Meaning: contrast with old style.)
Syn: shift away from. Mistakes: β βdeparture ofβ.
πΊ Part 6 β Vocabulary & Expressions Quiz
[IELTS Academic] [Reading: Matching Headings] β Interactive Exercise
Question type: MCQ. You will get 10 random questions from a pool of 50. After each answer, an immediate, detailed explanation (10β15 short sentences) appears below the question. Content is frame-fit and fully responsive.
Progress: 0/10 Score: 0
Press βStart / New Setβ to begin.
Attempt Summary
Review your attempt below. Tap any item to reopen its explanation.